The Tempest and Gender Swapping

I have seen several productions of The Tempest over the years, all done with different design aspects, as well as different casting choices. I have seen both male and female Alonso’s, Gonzalo’s, Trinculo’s, Antonio’s, Ariel’s, and Prospero’s. It could be said that The Tempest is the easiest of Shakespeare’s plays to gender swap. While some Shakespeare purest detest this practice, saying it takes away from the story, I disagree. All of Shakespeare’s plays are about the characters and their relationships to one another, their genders can almost be seen as an after thought. The stories are universal despite what genders are used. Prospero’s rage doesn’t come from the fact that another man took what was his, but that his brother, his own flesh and blood, betrayed him. Ariel’s loyalty doesn’t have to do with Prospero or himself being a man, but because Prospero freed him from a horrible prison. Antonio’s grief for his lost child isn’t strictly because Ferdinand is his sole heir, but also because Ferdinand is his only child. Thus in my mind, you can easily change the gender of these characters. While certain moments might change for the characters, the overall story will remain the same.

Prospero’s motive for hooking up Miranda with Ferdinand can be described as a form of bartering his daughter’s hand to Ferdinand in order to try and cement his status. However, with a female in the role, it can change from a frightening manipulative male motive, to one of a mother testing the worth of Ferdinand for Miranda, while also seeing the possibility of being able to regain her status in the hierarchy through their union.

When it comes to Ariel, and the spirits in general, I would rather not assign a specific gender to any of them. Why should fairies or spirits have a gender at all? What need is there? Androgynous looking actors, I feel, could be best put to use here. The loyalty they feel toward Prospero is the important element. These spirits are already thought of as feminine and soft by our standards today. With a masculine Prospero, it provides a curious combination of dominant male over submissive creatures, while a dominant female can provide an equally as interesting effect of dominant female over submissive creature dynamic.

Ultimately this story is about burying old grudges, redemption, and love both (parental and romantic). As long as those themes are kept within the story, to me at least, the gender of the character is not important.


One thought on “The Tempest and Gender Swapping

  1. pamsutherland

    I agree that the play works with a lot of gender swapping. Even though I love Prospero and detest Prospera, I agree that the swap works in some situations. I love the care Prospero was for Miranda; his world revolves around her. As soon as she is mature enough he arranges the elaborate scheme to give her not only a suitable husband but the position of Queen. Sure a woman could do this and act that way but it’s more romantic (for me) to see a man so dedicated to her.
    I think Prospero’s anger at his brother is overrated. He states many times that everything is going as planned. He tells Miranda how much better their lives were and how better off she is for being raised on the island. I just can’t believe that this was the only opportunity Prospero had to escape the island. With as much power as he has I find it hard to imagine him taking 12 years to get off the island. I think he is bothered by the takeover and angry at Miranda being put in danger but he sees the good in it. He was able to live with his daughter and raise her as he wished while practicing magic and studying books – all things he loves! He also goes pretty easy on his brother for an enraged man.
    I feel Prospero’s motive in marrying Miranda off is simply that she is (for the time period) old enough and he wants her to be happy and well taken care of.
    I agree completely about the gender of the spirits. I actually thought they were gender neutral.


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